CineStill 50D ISO 50 120 Size - Color Film

CineStill 50 Daylight Fine Grain Color Film 120 Medium Format is boasted to be the world’s finest grain film! CineStill 50D is an ISO 50/18° speed daylight balanced (5500K) motion picture emulsion. Technology borrowed from from Hollywood's wunderkind, Kodak 50D, prepped and rolled for safe C-41 standard development as an ISO 50 film. 

The new and improved proprietary "Premoval" process makes motion picture film safe to process in standard C-41 photo lab chemicals or at home. This emulsion is optimized for a hybrid workflow, ideal for scanning, and when processed in C-41 chemistry it can be optically printed on RA-4 paper. Treat this film as a 50 ISO film when processing in C-41 and push process whenever needed.

Features

• Color Balanced Daylight (5500K) color negative motion picture film stock for use as still photography film
• ISO 50/18° in C-41 or ECN-2 Process
• Factory spooled with self-adhesive labels inside 
• Remjet backing free, resulting in a unique halation effect
• Unrivaled highlight and shadow latitude
• Dynamic accurate color rendition
• High resolution with maximum sharpness
• Enhanced Scanning Performance
• Great for portraits and landscapes
• Recommended to process C-41 without worrying about remjet

Expiration: The new and improved production of CineStill film now has an extended shelf life, and has been tested for longevity up to 2 years without base fogging. Unexposed film should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemicals to preserve latent image latitude and color fidelity. 

Note: This emulsion was designed to be processed in ECN-2 Chemicals and may still be processed in it's native chemistry, resulting in a pulled negative with lower gamma. Test results show consistent in standard C-41 machine processing when compared with ECN-2 motion picture lab processing performed by professional labs. Long term archival stability has not been tested past 5 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films but there are no guarantees.